Harry’s House is the place to be – why Harry Styles is the future of live music

Some say Harry Styles is a sign of the times, but Harry is the future and we’re all lucky to be witnessing it.

I’ve been fortunate enough to see Harry live multiple times – both with One Direction and as a solo-artist – but what impresses me the most are the ways in which Harry manages to stay authentic whilst pushing the boundaries of live music.

The British singer’s latest album ‘Harry’s House’ has skyrocketed to #1 in over 60 countries and the live performances of his new songs have gone viral on social media. Fans have been braving Ticketmaster queues to get a glimpse of Harry on stage, and those that were lucky enough to score tickets were treated to one of the most memorable experiences.

Harry Styles has been championing an innovative live music format which I believe, in the future, will become the norm for many other musicians. Upon the release of Harry’s two most recent albums – ‘Fine Line’ and ‘Harry’s House’ – the singer announced “One Night Only” shows in select locations (Los Angeles, New York, and London) with tickets costing approx. $25 and promising fans a performance of the new album from top to bottom. Every song on the album… performed live… for the first and realistically, the last time.

When artists tour, it’s common for setlists to be compiled of their most successful hits with a couple of album deep-cuts scattered in between. With Harry allowing fans to hear the new album in its entirety, the experience becomes more valuable than you can imagine. During the concert, Harry spoke of how much he adored this live music format and ability for him to perform his albums in “the way it was intended, from start to finish.”

‘Harry Styles: One Night Only’ in New York occurred on the release day of ‘Harry’s House’ and left the singer speechless, as fans in attendance already knew the words to the new songs, memorising them in under 24 hours. When in London a week later, fans sang the lyrics even louder, to Harry’s amazement. It was beautiful to witness the awe on Harry’s face, and joy evident amongst the crowd.

In the age of livestreams, an in-demand concert like Harry’s becomes prime opportunity for a global viewing party. Whilst many Harry Styles fans have often taken it upon themselves to livestream his shows themselves on Twitter or Instagram, Apple Music recently jumped on the bandwagon. For the first time, Harry’s ‘One Night Only’ in New York concert was livestreamed with an official broadcaster, available on the Apple Music platform live, and for additional screenings in the following days.

The demand of this livestream was notable, as fans livestreamed the Apple Music livestream for those who aren’t Apple Music subscribers. Fans used Twitter and Twitch to achieve this, ensuring that no Harry Styles fan missed out on the experience.

Harry Styles creates a safe space for fans to express themselves, whether they’re physically in attendance at a show or watching live from the comfort of their bed. Becoming famous for delivering a heartfelt speech each show, Harry always says, “feel free to be whoever you want to be” and advocates for the LGBTQI+ community, as well as the Black Lives Matter movement – waving flags supporting the causes on stage at every show. His song “Treat People with Kindness” is the motto, branded on merchandise and preached from the beginning of his solo career. The love and support that radiates from Harry shines brightly back at him from the crowd, with an undeniable understanding existing between the singer and his fanbase.

With the future in mind, Harry Styles is also an advocate for charity, climate change and gun control.

In the bid to end gun violence, Harry recently pledged a $1 million donation from ticket sales for his upcoming, sold-out ‘Love on Tour 2022’ US tour to Everytown. The organisation works to achieve gun safety and the end of gun-related violence. Despite this action being prompted by the devastating mass-shootings occurring in America recently, Harry has always been passionate about the cause, displaying an “end gun violence” sticker on his guitar while performing in 2018.

Supporting charities and organisations isn’t new for Harry, who also raised $1.2 million on his 2018 tour, donating funds to local charities along every leg of his worldwide tour.

Harry also aims to create tours that are sustainable, conscious of the impacts of climate change. Partnering with REVERB, ‘Love on Tour’ featured an “Action Village” that enabled fans to ‘join Harry in working toward a better future for our planet and communities around the world.’ Reusable bottles with free water refill stations were promoted to avoid single-use plastics – an effort in place for fans, crew, and Harry. The tour prioritised waste reduction, waste diversion and carbon elimination and REVERBS’s impact report details the positive impact this climate-focused tour had.

World tours that focus on climate change and sustainability will become more prevalent over the next five years, with artists such as Billie Eilish, Coldplay and Shawn Mendes already following in Harry’s footsteps. Live music has always been a place to raise awareness, and funds, for communities that suffer the consequence of climate disasters and devastating incidents. Benefit concerts, from Live Aid (1985) to FireFight (2020) prove that fundraising initiatives based around live-music events positively impact the world we live in. When broadcast globally awareness is spread, as is the opportunity for international viewers to donate and support communities that so desperately need help.

The spirit of these one-off events is honoured in Harry Styles’ tours and can be felt every time a fan buys a ticket to his shows. It can be felt every time Harry takes to the stage.


Harry Styles is the future. There is no doubt about it. Over the next five years, more artists will follow in his footsteps, creating tours that are safe spaces for fans, sustainable and focused on the future. Charity organisations promoting important causes will be highlighted more in the live music scene, encouraging donations and awareness that promotes further action. The live-music scene will also benefit from “One Night Only” style concerns that celebrate music for what it is, a magical art form that unites people all over the world. Having the opportunity to listen to your favourite album performed live, from beginning to end, will re-define what it means for an artist to release an album.

Harry Styles will be at the forefront of future live music changes and the world will be a better place for it.

Yungblud – Live at Alexandra Palace, London – Livestream

There’s a first time for everything, even in the world of livestreams. On October 3rd, 2021, I watched Yungblud perform his biggest headline show at Alexandra Palace in London. What made this livestream experience so unique for me? It featured a full house. 10, 000 fans. A sold-out gig, with a roaring crowd filling every inch of the venue. Thousands of phones rising in the air to capture every moment as soon as the curtain dropped on stage. Goose-bump worthy after being in lockdown for months.

It’s a testament to the versatility of Moment House, who are becoming the frontier of pandemic related livestreams, and who previously hosted the Halsey and Client Liaison livestreams I’ve reviewed. Where those streams were run on a tight, seamless schedule – beginning right on the event start time – Yungblud’s livestream felt more reminiscent of live events, with the concert beginning 10 minutes after the advertised start time. The delay only added to the excitement.

Yungblud (Dominic Harrison) is a performer that has boundless energy. From the moment the curtain dropped he stormed on stage on a mission to entertain. The crowd was treated to high kicks, non-stop jumping and an expression of both anarchy and joy that was evident in every single move made. Harrison is a master of the stage, demanding attention, and the same energy he so eagerly gives the audience. It almost felt like Yungblud was the ringleader of a circle of misfits.

The 1.5-hour gig was a celebration of an impressive catalogue of music, and community. As someone who hasn’t had the pleasure of seeing Yungblud live in person (yet) I was in awe of the response of the fans filling the packed mosh pit. The fans screamed every lyric of every song back at Harrison – even his latest release “Fleabag” which had only been in their ears for a few weeks. The fans waved rainbow flags, raised their hands in heart shapes above their heads, formed a wall of death and chanted “F*#$ COVID” along with Harrison – both lead by him naturally. The anarchy was contagious.

This was complemented by electrifying production and pyro, with flames illuminating the stage and making the scale of the show feel larger than life. There was even a point where a piano was brought out on stage for Harrison to play and yep, you guessed it – it was surrounded by flames. It looked incredible.


The sense of community and gratitude that arose from the livestream is memorable. Amongst multiple costume changes, Yungblud wore a red jumpsuit with the words “the future is bright cause we are in it” printed across the back. On the venue screens, bright neon red signs flashed in time with performances reading “look around yourselves, these people are your family, they will uplift you, they will support you, and they will love you for being exactly who you are”.

It made me tear up at home as I watched along. It made Harrison tear up on stage. The singer did not hold back from sharing his emotions with the crowd, speaking of how overwhelmed and grateful he was to be playing such an important show and to be surrounded by so many loving, accepting, and understanding fans.


Yungblud’s catalogue of music covers a vast array of emotions and the flow of the setlist was perfect… creating rise and fall, moments of chaos and moments of calm, before concluding on a high. Opening with “Strawberry Lipstick”, “Parents” and “I Love You, Will You Marry Me” created a ruckus in the venue, in the best way, which continued right through to “Anarchy”.

Harrison was at his most vulnerable during the performance of “love song” – a moment of intimacy and calm that reduced the singer to tears. Where “love song” encompasses acceptance, self-love and growth, the reassurance that we’re not alone came during the performances of “I Think I’m OKAY” and “god save me but don’t drown me out” – two of my personal favourites. Hearing “weird” live was also incredibly powerful, with the lyrics acting as the perfect antidote to COVID related lockdowns and isolation felt by fans all over the world.

Yungblud’s London gig was the first time I purchased a ticket to a pandemic-inspired livestream event that featured a live crowd. It reminded me that the world is returning to some form of normality, whilst still being capable of utilising modern technologies and opportunities for global fans. It provided livestream viewers with a heightened sense of emotion, and adrenaline, making us feel as close to the live experience as we possibly could… considering many fans were miles away from Alexandra Palace. Moment House has hosted quite a few of these livestreams now, and it’s worth purchasing the ticket… every single time.

Setlist
1. Strawberry Lipstick
2. Parents
3. Superdeadfriends
4. I Love You, Will You Marry Me
5. Anarchist
6. Mars
7. Weird
8. Fleabag
9. Medication
10. Loner
11. love song
12. I Think I’m OKAY
13. god save me but don’t drown me out
14. Charity
15. Teresa
16. Machine Gun

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